Managing Departmental, Technical & Artistic Holds

Former Member
Former Member $organization

Hi Everyone,

We would be very interested to hear about how other organisations manage their holds. By this we mean from creating a performance and blocking out seats for various departments, singers, technical reasons etc. to allocating the seats to the guests and releasing back for general sale if not required.

Do people exclusively use reporting, or do you manage it through excel sheets in addition to this?

At what point do you chase other departments on seating or releasing their holds and how do you record this?

Would be very grateful to hear anyone's experiences with this.

Many thanks,

Caspian & Emma

  • Hello Caspian & Emma,

    We never set up a hold without an expiry and have the Expire Hold Codes utility running daily to manage it. We have one person dedicated to handling hold codes (set up at season build time, adding in season, setting up the utiltity to expire etc.)  She plans all the hold patterns out on theatre maps each year and sets up hold patterns to expire at 28, 21, 14, 7, 2 & 1 day prior to performance time. There are mulitple layers of hold code maps applied to every performance.

    I'd be happy to put you in touch with our guru should you wish more info!

  • Former Member
    Former Member $organization

    Hi Michele,

     

    Thanks for your response – that’s really interesting to hear. I would be interested if you wouldn’t mind putting me in touch as it would be good to know if there was any level of flexibility from what seems to be a partially automated process. I.e. do you have any keeps for the night for customer service issue resolution purposes etc.

     

    Thanks,

    Caspian

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Michele Keutsch
    Sent: 30 January 2013 01:35
    To: Caspian Turner
    Subject: Re: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Hello Caspian & Emma,

    We never set up a hold without an expiry and have the Expire Hold Codes utility running daily to manage it. We have one person dedicated to handling hold codes (set up at season build time, adding in season, setting up the utiltity to expire etc.)  She plans all the hold patterns out on theatre maps each year and sets up hold patterns to expire at 28, 21, 14, 7, 2 & 1 day prior to performance time. There are mulitple layers of hold code maps applied to every performance.

    I'd be happy to put you in touch with our guru should you wish more info!

    From: Caspian Turner <bounce-caspianturner9368@tessituranetwork.com>
    Sent: 1/29/2013 11:32:02 AM

    Hi Everyone,

    We would be very interested to hear about how other organisations manage their holds. By this we mean from creating a performance and blocking out seats for various departments, singers, technical reasons etc. to allocating the seats to the guests and releasing back for general sale if not required.

    Do people exclusively use reporting, or do you manage it through excel sheets in addition to this?

    At what point do you chase other departments on seating or releasing their holds and how do you record this?

    Would be very grateful to hear anyone's experiences with this.

    Many thanks,

    Caspian & Emma




    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums. In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!

     
             

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    Glyndebourne Productions Ltd is a charity, registered number 243877
     
    Glyndebourne Productions Ltd is a limited company registered in England and Wales.
    Registered number: 00358266. Registered office: Glyndebourne, LEWES, East Sussex BN8 5UU
     
    Please note that Glyndebourne Productions Ltd may monitor email traffic data and also the content of email for the purposes of security and staff training
     
    This message contains confidential information and is for the intended recipients only. If you are not an intended recipient you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. E-mail transmission cannot be guaranteed to be secure or error free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message, which arise as a result of e-mail transmission. If verification is required please request a hard-copy version.

     




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  • Yes, sorry I should have mentioned that there are a very few that never expire such as House Manager holds and box office holds that are available right up to performance time to deal with last minute issues.

    I will send an email to our guru and cc you on it to put you both in touch.

    Michele

  • Hello All,

     

    I have tried unsuccessfully, many times to get the Hold Code Expiration Utility to work. Any help would be greatly appreciated!

     

    Thanks,

    Carol

     

    Carol Ciulla

    Box Office Manager

    Rockport Music

    978-546-7391 X 102

    www.rockportmusic.org

    Picture1

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Michele Keutsch
    Sent: Wednesday, January 30, 2013 2:32 PM
    To: Carol Ciulla
    Subject: RE: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Yes, sorry I should have mentioned that there are a very few that never expire such as House Manager holds and box office holds that are available right up to performance time to deal with last minute issues.

    I will send an email to our guru and cc you on it to put you both in touch.

    Michele

    From: Caspian Turner <bounce-caspianturner9368@tessituranetwork.com>
    Sent: 1/30/2013 11:13:05 AM

    Hi Michele,

     

    Thanks for your response – that’s really interesting to hear. I would be interested if you wouldn’t mind putting me in touch as it would be good to know if there was any level of flexibility from what seems to be a partially automated process. I.e. do you have any keeps for the night for customer service issue resolution purposes etc.

     

    Thanks,

    Caspian

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Michele Keutsch
    Sent: 30 January 2013 01:35
    To: Caspian Turner
    Subject: Re: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Hello Caspian & Emma,

    We never set up a hold without an expiry and have the Expire Hold Codes utility running daily to manage it. We have one person dedicated to handling hold codes (set up at season build time, adding in season, setting up the utiltity to expire etc.)  She plans all the hold patterns out on theatre maps each year and sets up hold patterns to expire at 28, 21, 14, 7, 2 & 1 day prior to performance time. There are mulitple layers of hold code maps applied to every performance.

    I'd be happy to put you in touch with our guru should you wish more info!

    From: Caspian Turner <bounce-caspianturner9368@tessituranetwork.com>
    Sent: 1/29/2013 11:32:02 AM

    Hi Everyone,

    We would be very interested to hear about how other organisations manage their holds. By this we mean from creating a performance and blocking out seats for various departments, singers, technical reasons etc. to allocating the seats to the guests and releasing back for general sale if not required.

    Do people exclusively use reporting, or do you manage it through excel sheets in addition to this?

    At what point do you chase other departments on seating or releasing their holds and how do you record this?

    Would be very grateful to hear anyone's experiences with this.

    Many thanks,

    Caspian & Emma




    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums. In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!

     

             

    Please don't print this email unless you really need to.

     

    Glyndebourne Productions Ltd is a charity, registered number 243877

     

    Glyndebourne Productions Ltd is a limited company registered in England and Wales.

    Registered number: 00358266. Registered office: Glyndebourne, LEWES, East Sussex BN8 5UU

     

    Please note that Glyndebourne Productions Ltd may monitor email traffic data and also the content of email for the purposes of security and staff training

     

    This message contains confidential information and is for the intended recipients only. If you are not an intended recipient you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. E-mail transmission cannot be guaranteed to be secure or error free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message, which arise as a result of e-mail transmission. If verification is required please request a hard-copy version.

     

     


    This email message has been delivered safely and archived online by Mimecast.
    For more information please visit http://www.mimecast.com





    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums. In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!

  • Former Member
    Former Member $organization

    Hi Carol,

     

    Have you tried checking the ‘Expire all’ box at the bottom of the screen.  That did it for us.

     

    Christine

     

    Christine Yündem

     

    Patron Relations Manager

    Milwaukee Repertory Theater

    Patty and Jay Baker Theater Complex

    108 E. Wells Street

    Milwaukee, WI  53202

     

    414-290-5340 

    FAX: 414-225-5490

    cyundem@milwaukeerep.com

     

     

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Carol Ciulla
    Sent: Wednesday, January 30, 2013 4:50 PM
    To: Christine Yundem
    Subject: RE: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Hello All,

     

    I have tried unsuccessfully, many times to get the Hold Code Expiration Utility to work. Any help would be greatly appreciated!

     

    Thanks,

    Carol

     

    Carol Ciulla

    Box Office Manager

    Rockport Music

    978-546-7391 X 102

    www.rockportmusic.org

    Picture1

  • Hi Carol,

    We tested this utility for a very long time in our test enviro before putting it into live. The key is to making sure you have expiry dates on the hold codes when you apply them to a performance. We have the hold code expiry utility set to run at daily at 4pm.  When it runs, it expires any hold codes that had an end date since the report ran the day before. 

    Michele

  • Thanks, Michele,

     

    I will give it a shot!

     

    Carol

     

    Carol Ciulla

    Box Office Manager

    Rockport Music

    978-546-7391 X 102

    www.rockportmusic.org

    Picture1

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Michele Keutsch
    Sent: Thursday, January 31, 2013 10:47 AM
    To: Carol Ciulla
    Subject: RE: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Hi Carol,

    We tested this utility for a very long time in our test enviro before putting it into live. The key is to making sure you have expiry dates on the hold codes when you apply them to a performance. We have the hold code expiry utility set to run at daily at 4pm.  When it runs, it expires any hold codes that had an end date since the report ran the day before. 

    Michele

    From: Carol Ciulla <bounce-carolciull6102@tessituranetwork.com>
    Sent: 1/30/2013 3:17:39 PM

    Hello All,

     

    I have tried unsuccessfully, many times to get the Hold Code Expiration Utility to work. Any help would be greatly appreciated!

     

    Thanks,

    Carol

     

    Carol Ciulla

    Box Office Manager

    Rockport Music

    978-546-7391 X 102

    www.rockportmusic.org

    Picture1

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Michele Keutsch
    Sent: Wednesday, January 30, 2013 2:32 PM
    To: Carol Ciulla
    Subject: RE: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Yes, sorry I should have mentioned that there are a very few that never expire such as House Manager holds and box office holds that are available right up to performance time to deal with last minute issues.

    I will send an email to our guru and cc you on it to put you both in touch.

    Michele

    From: Caspian Turner <bounce-caspianturner9368@tessituranetwork.com>
    Sent: 1/30/2013 11:13:05 AM

    Hi Michele,

     

    Thanks for your response – that’s really interesting to hear. I would be interested if you wouldn’t mind putting me in touch as it would be good to know if there was any level of flexibility from what seems to be a partially automated process. I.e. do you have any keeps for the night for customer service issue resolution purposes etc.

     

    Thanks,

    Caspian

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Michele Keutsch
    Sent: 30 January 2013 01:35
    To: Caspian Turner
    Subject: Re: [Tessitura Ticketing Forum] Managing Departmental, Technical & Artistic Holds

     

    Hello Caspian & Emma,

    We never set up a hold without an expiry and have the Expire Hold Codes utility running daily to manage it. We have one person dedicated to handling hold codes (set up at season build time, adding in season, setting up the utiltity to expire etc.)  She plans all the hold patterns out on theatre maps each year and sets up hold patterns to expire at 28, 21, 14, 7, 2 & 1 day prior to performance time. There are mulitple layers of hold code maps applied to every performance.

    I'd be happy to put you in touch with our guru should you wish more info!

    From: Caspian Turner <bounce-caspianturner9368@tessituranetwork.com>
    Sent: 1/29/2013 11:32:02 AM

    Hi Everyone,

    We would be very interested to hear about how other organisations manage their holds. By this we mean from creating a performance and blocking out seats for various departments, singers, technical reasons etc. to allocating the seats to the guests and releasing back for general sale if not required.

    Do people exclusively use reporting, or do you manage it through excel sheets in addition to this?

    At what point do you chase other departments on seating or releasing their holds and how do you record this?

    Would be very grateful to hear anyone's experiences with this.

    Many thanks,

    Caspian & Emma




    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums. In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!

     

             

    Please don't print this email unless you really need to.

     

    Glyndebourne Productions Ltd is a charity, registered number 243877

     

    Glyndebourne Productions Ltd is a limited company registered in England and Wales.

    Registered number: 00358266. Registered office: Glyndebourne, LEWES, East Sussex BN8 5UU

     

    Please note that Glyndebourne Productions Ltd may monitor email traffic data and also the content of email for the purposes of security and staff training

     

    This message contains confidential information and is for the intended recipients only. If you are not an intended recipient you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. E-mail transmission cannot be guaranteed to be secure or error free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message, which arise as a result of e-mail transmission. If verification is required please request a hard-copy version.

     

     


    This email message has been delivered safely and archived online by Mimecast.
    For more information please visit http://www.mimecast.com





    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums. In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!




    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums. In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!

  • Hi Michele,

    I'm writing a Holds code policy now. Do you have something to share to guide me in best practices?