Open Call ticketing

Hello,

Our theatre allows subscribers that cannot make a night of a show to exchange, but if they don't know what night they CAN make it, we allow them to exchange into something called "Open Call".  In our last database, this was a fake show at the end of the run the folks would exchange into.  When they finally decided what show they wanted, they exchanged out and back in. 

I'm trying to keep the number of "fake" performances to a minimum, so I'm wondering if any other theatre's do this "open call" type of exchange and how they handle it.  We don't have many conditions, but one of the few we do have is that if the subscriber never picks a show, the income must stay with the show - thus a fake show of each production that they would exchange into.

My first suggestion was a new zone in the house called "open call" that they could exchange into, similar to "standby".  Any other avenues anyone is currently using?

Thanks!

Richard Jackson - Alley Theatre

Parents
  • Thanks Mary! I think I suggested this once and I believe the rejection to it was that we pay royalties based on seats sold to a particular show. With an amount in, say, "This Show On Account" we can't account for a number of seats, so our royalty payments would be off. However, I'll run this by my marketing department to see if the royalty thing is accurate (paid by seats not by amount sold).

    Thanks for the suggestion!

    RJ

    -----Original Message-----
    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Mary Mueller
    Sent: Friday, May 20, 2011 2:42 PM
    To: Richard Jackson
    Subject: Re: [Tessitura Ticketing Forum] Open Call ticketing

    Hi Richard,

    You could create an on account payment method for each show and put the
    return value of the tix in the appropriate bucket. Then when the
    subscriber decides which performance to go into you could pay it off with
    what's held on account. Once the season ends you still know what rev
    belongs to what show because of the unique on account payment methods. If
    you have a complex pricing strategy for your subscription base prices this
    might not work (because of potential downgrades), but it gets away from
    fake perfs, at least.

    Mary

    Mary Mueller
    Assistant Director of Ticketing Services
    Lyric Opera of Chicago
    20 N Wacker Dr Ste 840
    Chicago, IL 60606
    t: 312-827-5607
    f: 312-332-8120
    mmueller@lyricopera.org
    http://www.lyricopera.org




    "Richard Jackson"

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    Sent by: cc
    "Tessitura
    Ticketing Forum" Subject

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    05/20/2011 02:32
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    Hello,


    Our theatre allows subscribers that cannot make a night of a show to
    exchange, but if they don't know what night they CAN make it, we allow them
    to exchange into something called "Open Call". In our last database, this
    was a fake show at the end of the run the folks would exchange into. When
    they finally decided what show they wanted, they exchanged out and back in.


    I'm trying to keep the number of "fake" performances to a minimum, so I'm
    wondering if any other theatre's do this "open call" type of exchange and
    how they handle it. We don't have many conditions, but one of the few we
    do have is that if the subscriber never picks a show, the income must stay
    with the show - thus a fake show of each production that they would
    exchange into.


    My first suggestion was a new zone in the house called "open call" that
    they could exchange into, similar to "standby". Any other avenues anyone
    is currently using?


    Thanks!


    Richard Jackson - Alley Theatre





    This message was sent automatically to you by www.tessituranetwork.com
    because you subscribed to the Tessitura Ticketing Forum. You may reply to
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    read and post to the forums. In the interest of keeping the forum posts
    from becoming cluttered, we encourage you to delete previous message text
    from your reply before sending. Thank you!


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Reply
  • Thanks Mary! I think I suggested this once and I believe the rejection to it was that we pay royalties based on seats sold to a particular show. With an amount in, say, "This Show On Account" we can't account for a number of seats, so our royalty payments would be off. However, I'll run this by my marketing department to see if the royalty thing is accurate (paid by seats not by amount sold).

    Thanks for the suggestion!

    RJ

    -----Original Message-----
    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Mary Mueller
    Sent: Friday, May 20, 2011 2:42 PM
    To: Richard Jackson
    Subject: Re: [Tessitura Ticketing Forum] Open Call ticketing

    Hi Richard,

    You could create an on account payment method for each show and put the
    return value of the tix in the appropriate bucket. Then when the
    subscriber decides which performance to go into you could pay it off with
    what's held on account. Once the season ends you still know what rev
    belongs to what show because of the unique on account payment methods. If
    you have a complex pricing strategy for your subscription base prices this
    might not work (because of potential downgrades), but it gets away from
    fake perfs, at least.

    Mary

    Mary Mueller
    Assistant Director of Ticketing Services
    Lyric Opera of Chicago
    20 N Wacker Dr Ste 840
    Chicago, IL 60606
    t: 312-827-5607
    f: 312-332-8120
    mmueller@lyricopera.org
    http://www.lyricopera.org




    "Richard Jackson"

    ckson6492@tessitu To
    ranetwork.com> mmueller@lyricopera.org
    Sent by: cc
    "Tessitura
    Ticketing Forum" Subject

    @tessituranetwork Call ticketing
    .com>


    05/20/2011 02:32
    PM


    Please respond to
    "Tessitura
    Ticketing Forum"

    @tessituranetwork
    .com>






    Hello,


    Our theatre allows subscribers that cannot make a night of a show to
    exchange, but if they don't know what night they CAN make it, we allow them
    to exchange into something called "Open Call". In our last database, this
    was a fake show at the end of the run the folks would exchange into. When
    they finally decided what show they wanted, they exchanged out and back in.


    I'm trying to keep the number of "fake" performances to a minimum, so I'm
    wondering if any other theatre's do this "open call" type of exchange and
    how they handle it. We don't have many conditions, but one of the few we
    do have is that if the subscriber never picks a show, the income must stay
    with the show - thus a fake show of each production that they would
    exchange into.


    My first suggestion was a new zone in the house called "open call" that
    they could exchange into, similar to "standby". Any other avenues anyone
    is currently using?


    Thanks!


    Richard Jackson - Alley Theatre





    This message was sent automatically to you by www.tessituranetwork.com
    because you subscribed to the Tessitura Ticketing Forum. You may reply to
    this message to post to the Ticketing forum or visit the site to search,
    read and post to the forums. In the interest of keeping the forum posts
    from becoming cluttered, we encourage you to delete previous message text
    from your reply before sending. Thank you!


    This message was sent automatically to you by www.tessituranetwork.com because you subscribed to the Tessitura Ticketing Forum. You may reply to this message to post to the Ticketing forum or visit the site to search, read and post to the forums.

    In the interest of keeping the forum posts from becoming cluttered, we encourage you to delete previous message text from your reply before sending. Thank you!
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