Upselling

We are trying to formalise our upselling procedures to get a smooth system in place: I'd be very interested to hear from other organisations - particularly ones similar us who have gazillions of one-nighter shows - who feel they have a good system in place for upselling both by phone and online.  Things we're particularly interested to find out is who identifies/chooses shows to upsell and how (programming/marketing?); how are these identified (e.g. in Artifax/Tessitura/other) to box office operators and other teams; and is there a way of physically linking shows together when an order is being taken (e.g. if someone is booking for Emmylou Harris in May, Lucinda Williams in August pops up as an 'upselling opportunity' to box office staff)?

Many thanks in advance.

Emily Till

Head of Marketing

The Sage Gateshead, UK

  • Hi Emily

    We don't have any defined upselling techniques in the box office, however we have started listing "Similar events" on our new website. These are decided by Marketing and are entered onto custom fields in the Content tab in Performance Setup that the website then uses to pull information through from.

    You can see an example here:

    https://www.bridgewater-hall.co.uk/performance/14241.aspx

    Hope that helps

    Siobhan

     



    [edited by: Siobhan Bennetts at 4:58 AM (GMT -6) on 20 May 2009]
  • Hi Siobhan

     

    Thanks for that, and I’ve had a look at your website (we’ve all been checking it out here!).  With the volume of events that you have on, how do you manage to do that?  Is it, for instance, something that is decided on at a weekly meeting?  On an ad hoc basis?  Do you the marketing team decide what counts as a similar event and just email box office to add those in when they do the performance set ups?  Sorry for huge number of questions – perhaps you could pass them on to Dawn or Paula if it needs specific marketing input.  We’re overwhelmed with the idea of having to decide on similar events for so many concerts and the time and administration involved in making the decisions, communicating the decisions effectively and setting that all up!

     

    See you in Texas?

     

    Thanks.

    Emily

     

     

    From: Tessitura Ticketing Forum [mailto:forums-ticketing@tessituranetwork.com] On Behalf Of Siobhan Bennetts
    Sent: 20 May 2009 11:02
    To: Emily Till
    Subject: Re: [Tessitura Ticketing Forum] Upselling

     

    Hi Emily

    We don't have any defined upselling techniques in the box office, however we have started listing "Similar events" on our new website. These are decided by Marketing and are entered onto custom fields in the Content tab in Performance Setup that the website then uses to pull information through from.

    You can see an example here:

    https://www.bridgewater-hall.co.uk/performance/14241.aspx

    Hope that helps

    Siobhan

     

    From: Emily Till <bounce-emilytill5221@tessituranetwork.com>
    Sent: 5/20/2009 4:33:03 AM

    We are trying to formalise our upselling procedures to get a smooth system in place: I'd be very interested to hear from other organisations - particularly ones similar us who have gazillions of one-nighter shows - who feel they have a good system in place for upselling both by phone and online.  Things we're particularly interested to find out is who identifies/chooses shows to upsell and how (programming/marketing?); how are these identified (e.g. in Artifax/Tessitura/other) to box office operators and other teams; and is there a way of physically linking shows together when an order is being taken (e.g. if someone is booking for Emmylou Harris in May, Lucinda Williams in August pops up as an 'upselling opportunity' to box office staff)?

    Many thanks in advance.

    Emily Till

    Head of Marketing

    The Sage Gateshead, UK




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  • Hi Emily
     
    The person inputting the concert usually just uses their discretion when it comes to what concerts to upsell, unless there are specific concerts in that genre that need a push. It is Marketing that input these sections, the content tab is partly filled by Box Office and partly by Marketing. The details are added at the time of performance set up - generally we only have one big setup period a year so this isn't hard to manage.
     
    Hopefully you can see who does what from the screen grab in my profile - anything prefixed BO is Box Office and anything MK is Marketing.


    Hope that helps

    Siobhan



    [edited by: Siobhan Bennetts at 8:30 AM (GMT -6) on 20 May 2009]
  • Hi Emily,


    We don't realy upsell through the phone room, although we do have Interests set up against events that match those that customers have checked in their Interests, so if the customer Interest matches a show it turns the show green in the calendar (if they are in the customers account).


    We have Recommendations on our website - these are decided by our Marketing team and are linked to the show via our website CMS.

     

    Caryl

  • Hi Emily
     
    Are you going to San Antonio? If so there is a lunch discussion about Upselling on the Wednesday.

    Siobhan x
  • Hi Siobhan

     

    Yes, I am, so that’s great – thanks for the tip.

     

    Paul’s passed on your message about the UK users get-together: sounds great, and we’re really grateful to you for organising it.

     

    See you in Texas!

     

    E

     

    This transmission and any attachments are confidential and are intended solely for the named addressee(s). If you are not the addressee, please do not read, copy, use or disclose this transmission and please notify us immediately by telephone on +44 (0) 191 443 4666 or by reply. Please then delete this transmission from your system.
    All e-mail messages sent to and from North Music Trust are scanned by Trend Micro Internet Security Suite in order to increase the protection from viruses and unsolicited e-mails. Despite this additional security we cannot guarantee that this e-mail and its attachments are virus free and by corresponding with us by e-mail, you agree that your message will be scanned in this way and accept the risk that complete virus protection is not guaranteed.
    No contracts may be concluded on behalf of North Music Trust or Music North Limited by means of e-mail communications.

    Comp Reg No: North Music Trust-4044936, Music North Limited-4344453
    Reg Place: England