Revenue distribution to clients

When selling tickets for clients (internal or external), how often do you distribute ticket sales back to the client? At the end of the performance/run, on a weekly or monthly basis, or at another interval?  And what Tessitura report(s) are you running for your clients and yourself to get the final ticket sales amount to distribute? 

The UVA Arts Box Office historically has been moving funds to our internal clients on a daily basis, but with upcoming changes to UVA's financial system, we finally have a chance to change up our processes so I’m reaching out to different universities/orgs to see how they handle this.

I appreciate your input here!

Jenny Mays
Supervisor, UVA Arts Box Office
Managing Director, Virginia Film Festival 

Parents
  • Hi Jenny,

    At the University of Colorado, we handle fund transfers to internal clients in two different ways:

    -For our academic programs, we typically do a revenue transfer approximately 1 week after the run of a given production ends. This allows for a day or two of "dust settling" from a customer service perspective (such as a patron requesting an after-the-fact exchange or refund). These programs do not have an immediate fiscal need for the money in cash, so the waiting period does not cause an issue.

    -For our professional summer theater rep company, cash flow and income is more important, so we perform our revenue transfers once a week on Tuesday for all the performances in the previous calendar week. This gives us at least 24 hours after a Sunday performance for those after-the-fact calls, but still groups the transactions into a bulk transfer, analysis and reporting project.

    For reference, we support almost 200 ticketed events per year on campus, all of them run by internal partners who need a revenue transfer; if we did a daily-basis model, this would take up a much greater amount of staff time than batching our transfers together.


Reply
  • Hi Jenny,

    At the University of Colorado, we handle fund transfers to internal clients in two different ways:

    -For our academic programs, we typically do a revenue transfer approximately 1 week after the run of a given production ends. This allows for a day or two of "dust settling" from a customer service perspective (such as a patron requesting an after-the-fact exchange or refund). These programs do not have an immediate fiscal need for the money in cash, so the waiting period does not cause an issue.

    -For our professional summer theater rep company, cash flow and income is more important, so we perform our revenue transfers once a week on Tuesday for all the performances in the previous calendar week. This gives us at least 24 hours after a Sunday performance for those after-the-fact calls, but still groups the transactions into a bulk transfer, analysis and reporting project.

    For reference, we support almost 200 ticketed events per year on campus, all of them run by internal partners who need a revenue transfer; if we did a daily-basis model, this would take up a much greater amount of staff time than batching our transfers together.


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