Hi folks -- cross-posting this to Ticketing for visibility.
Wondering what some typical configurations look like out there in the performing arts org world. For ticketing campaigns, the examples I am most familiar with have one campaign for single ticket sales for the entire fiscal year, and another campaign for subscriptions, another for fees, and that's basically it. But I'm starting to think this is more typical for organizations that just produce one type of event year-round, like opera houses or symphonies.
For orgs that produce a wide variety of events, how do you structure your campaigns for ticketing? One campaign for the entire FY? One for each season of events? Or more granular, like one for each series of productions, or even one campaign per production? Separate campaign for subs, or no?
It would be great to get some quick feedback from a few people. If you want to offer more, how much value would you say you get out of the canned campaign reports with regard to your configuration?